Review Grade: B
Full Text: COPYRIGHT 1996 Maclean Hunter (Canada)
Together, Independence Day and Phenomenon represent
the flip sides of Hollywood's fixation on close
encounters with UFOs-the hostile and benign versions.
What falls from the sky will either try to annihilate
the world or, like E.T., teach it a universal lesson
in peace, love and understanding.
Independence Day should be the biggest hit of a
record-breaking summer at the box office. It is good
fun-for those who do not mind their popcorn thrills
spiked with a megaton dose of star-spangled jingoism.
The movie serves up a groaning buffet of action
genres: a disaster epic, a war movie, a Space Odyssey
spectacle, an Alien freak show and a Top Gun
dog-fight derby. It adds up to lighthearted pastiche
with spectacular visuals.
Although it runs 180 minutes, Independence Day wastes
no time cutting to the chase. The invasion begins at
once, as giant saucer-like slabs are calved from a
mother ship that weighs as much as the moon. The
slabs hover over major American cities, then destroy
them. In the tradition of the D-Day invasion epic,
The Longest Day (1962), the action sprawls over a
panoramic range of characters. The leads include a
serenely droll Jeff Goldblum, who plays yet another
quirky scientist (cloned from The Fly and Jurassic
Park)-a nerdy computer genius who cracks the code of
the aliens' intelligence. Will Smith provides the
testosterone as a fighter pilot, a swaggering cowboy
dying to kick some alien butt. And Bill Pullman
affects some unconvincing dignity as the U.S.
president, a former Gulf War pilot who has to make
some tough decisions (to nuke or not to nuke) and
climbs into an F-14 to play a personal role in saving
the world.
The film-makers keep the tone cartoonish throughout,
dousing doomsday drama with comic relief at every
implausible turn of the plot (the least of which is
the alien invasion). Sure, there are moments of
reverence to observe the devastation of entire
cities, or the death of a character. But the
solemnity is insincere, and the action quickly
reverts to alien-bashing fun and games. Mass
destruction has never been such a joyride.
Independence Day was co-written by director Roland
Emmerich and producer Dean Devlin, the team behind
Stargate. Their script does not demand much
suspension of disbelief. It is peppered with comic
allusions to cultish beliefs in alien visitation and
UFO coverup conspiracies. There are jokey references
to E.T. and The X-Files. And, reversing the usual
procedure, scientists perform an operation on an
extraterrestrial, a tentacled, insect-like creature
that could have been grafted right out of Alien.
In the end, however, the film-makers betray the
movie's playful spirit with an orgiastic display of
patriotic sentiment. In a fervent speech, the
president even has the gall to suggest that
Independence Day be turned into a worldwide
holiday-"to celebrate freedom not from oppression,
tyranny or persecution, but from annihilation." It
makes one wonder if the real alien invasion force
casting a shadow over the globe is Hollywood itself.
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