Travel
Pittsburgh day 2 in photos
10/02/2007 12:51 PM
Hello all, here's the conclusion of my Pittsburgh
report - written from back in Maine. If you're
reading this, you might as well start from the post
below it (Pittsburgh day 1 in photos), to
go in the proper sequence.
Now that I'm back home, I'm just absorbing and pondering the many inspirational moments of my weekend, some of which are captured here on film.
I began my day with a long-awaited trip to Homestead. I had planned to drive east through town, and then take the Homestead Grays Bridge (recently renamed as such) directly south into Homestead, which sits just across the Monongahela River. But Pittsburgh's Great Race, a 10 K road race that results in a lot of streets being closed, was on. So I drove through the South Side. These billowing stacks made me think of the days of the Homestead Works, when Pittsburgh really was the steel city. Not sure what these stacks were exerting themselves for, but they added much to the atmosphere.
Homestead was a steel building town directly south of Pittsburgh. Actually, it's a part of Pittsburgh, which I didn't fully realize until visiting. I found the place to be eerily silent on a Sunday morning. Apart from this beautiful mural on the side of ta building, there was precious little there commemorating the town's historic past. Still, I felt particularly energized while walking its main drag, and peering around corners.
This sign seemed to capture the spirit of Homestead today somehow.
Walking up West Street, I made my way to the old Homestead Grays field, which is actually located just over the border in Munhall. I'm not sure just when exactly the Grays started playing here, or when they stopped (though in their heyday in the late 30s and 40s they were playing a lot of their games either at Pittsburgh's Forbes Field, or Washington's Griffith Stadium), but I know at some point they stood upon this field. Perhaps the stands have been rebuilt since then, or perhaps not - they're not in such great shape. The Grays got their start in 1913, and in the early days consisted mainly of steel workers from the nearby Homestead Works, the factory for Carnegie Illinois Steel.
This fence made me think of something I recently read in Buck Leonard's autobiography (The Black Lou Gehrig). When Buck was seven, he would go to the local ballpark in Rocky Mount, North Carolina, and peep through the cracks at the Class B white team as they played. Of course he wouldn't have been allowed entrance to the park. (Who got the last laugh? Buck was inducted to the Hall of Fame alongside Josh Gibson in 1972 (only Satchell Paige beat them to the Hall, but Josh and Buck were the first two never to have played in the majors to be inducted).
The field was deserted for the entire length of my visit, except for a fairly large school of Canadian geese that I only gradually became aware of. Then, at some point, it hit me - I was in the presence of the spirits of the great men who played astounding baseball on this very field in years gone by. As soon as this concept took hold, I could not shake myself free of it, and spent the rest of my visit in awed contemplation. I wanted to talk to the spirits, but as I approached them they walked, rather determinedly, away.
Might a young Josh Gibson have once sat upon this bench, eagerly awaiting his turn to pummel a ball?
After my encounter with the spirit geese, this house struck me as being rich with significance.
Next, after checking out of my hotel, I stopped at the Heinz Center, which includes the very nice Western Pennsylvania Sport Museum. These Pittsburghers are absolutely wild about sport. As Rob Ruck explained to me, there may be no other place in the country where sport plays such a role in building community. When I was in the airport later in the day waiting for my flight, I heard groups of people from all directions simultaneously bursting into applause. Why? Because the "Stillers" had done something right on the tv, that's why.
Then it was on to Allegheny Cemetary, where such notables as Andy Warhol and Stephen Foster found their final resting place. I didn’t have time to look for them, however. This picture is from the perspective of Josh Gibson’s grave, which is buried high on a hill in the cemetary’s section 50. That’s my rented red SUV in the distance.
Here’s Josh’s grave. Despite his being listed on findagrave.com, and also despite a sign pointing the way to his stone, I still had difficulty finding it. Josh lies beneath a rather nondescript flat headstone, with the concise inscription “Legendary Baseball Player.” He is in a row with three other graves, the names of whose occupants are not familiar to me – perhaps they bear no relation to the great slugger. In my research the day before, looking through old Pittsburgh Couriers I found a 1979 article entitled “Why? Josh Gibson Worth Only a Stone.” The author, Philip Harrigan, bemoans the fact that despite his great accomplishments, Josh is buried without any pomp, in an almost hidden corner of the cemetery – which during his visit was rather unkempt to boot. Harrigan does some investigating, and comes up with a startling possibility. He finds a sales counselor for the cemetery’s Mausoleum who explains “[section] Fifty was an emergency type situation. When somebody dies and you have no funeral property, a lot is sold on behalf of the family in the emergency section….[Fifty’s] always been an emergency section for blacks.”
My experience of the grave site was somewhat different than Harrigan’s. I found it to be extremely peaceful and quite beautiful, although I agree that the humbleness of the actual marker and its seemingly unprivileged (though it was at the top of the hill) vantage seemed at odds with Josh’s historical stature. Still, having visited the near freak-show that is Jim Morrison’s grave at Pere Lachaise in Paris, I was somewhat grateful for Josh’s seclusion in Allegheny. I didn't have a chance to compare Stephen Foster's grave - and it's too bad, since Foster died in even worse financial straights than did Josh. I wonder if they've done right by the writer of "O Susannah!"
A bunch of yards closer to the main road stood the more impressive headstone of Gus Greenlee and his wife Helen. How interesting that Gus, who stole Josh away from the Homestead Grays in 1932, only to have the basher abandon him in ’36 for the warmer climate and better working conditions of Puerto Rico, should be reunited with Gibson in death. I have a soft spot in my heart for Gus, the great numbers man who was everybody’s friend and a pillar of the community (despite gaining his livelihood from illegal doings).
With a little time on my hands before my evening flight back to Maine, I called Sean Gibson to ask for the address where Josh Gibson grew up. Over on the North Side, not too far from PNC Ballpark and the Mattress Factory (an installation museum), I found the corner of N. Charles Street and Brighton Rd. Sean tells me the house isn’t there anywhere, but there was this house – I couldn’t tell if someone was living in it or not. But it had character, and I let my imagination take hold, envisioning a ten-year-old Josh, out smacking balls with sticks on the front sidewalk.
A little further up Charles Street, as Sean said I would, I found Josh Gibson Drive, near a rather new housing development. Sean told me that despite the fact most people think that’s where Josh grew up, it wasn’t quite the actual spot.
Standing at the end of Josh Gibson Drive and
looking back towards Charles Street, I saw a young
black boy going into a pitching windup. I thought,
this is just too cinematic. If the movie were to end
here, we’d see the young boy pretending to be a
major leaguer, hearing the crowd and letting the
pressure and joy of it course through his body. And
we’d understand just how different the world of
possibility awaiting this youngster was than that
which stood in wait for another young ballplayer, who
played in these Pleasant Valley streets some eighty
years ago and also dreamed of greatness.
Well, sometimes Hollywood Endings are kinda satisfying, you know? This one worked for me.
Now that I'm back home, I'm just absorbing and pondering the many inspirational moments of my weekend, some of which are captured here on film.
I began my day with a long-awaited trip to Homestead. I had planned to drive east through town, and then take the Homestead Grays Bridge (recently renamed as such) directly south into Homestead, which sits just across the Monongahela River. But Pittsburgh's Great Race, a 10 K road race that results in a lot of streets being closed, was on. So I drove through the South Side. These billowing stacks made me think of the days of the Homestead Works, when Pittsburgh really was the steel city. Not sure what these stacks were exerting themselves for, but they added much to the atmosphere.
Homestead was a steel building town directly south of Pittsburgh. Actually, it's a part of Pittsburgh, which I didn't fully realize until visiting. I found the place to be eerily silent on a Sunday morning. Apart from this beautiful mural on the side of ta building, there was precious little there commemorating the town's historic past. Still, I felt particularly energized while walking its main drag, and peering around corners.
This sign seemed to capture the spirit of Homestead today somehow.
Walking up West Street, I made my way to the old Homestead Grays field, which is actually located just over the border in Munhall. I'm not sure just when exactly the Grays started playing here, or when they stopped (though in their heyday in the late 30s and 40s they were playing a lot of their games either at Pittsburgh's Forbes Field, or Washington's Griffith Stadium), but I know at some point they stood upon this field. Perhaps the stands have been rebuilt since then, or perhaps not - they're not in such great shape. The Grays got their start in 1913, and in the early days consisted mainly of steel workers from the nearby Homestead Works, the factory for Carnegie Illinois Steel.
This fence made me think of something I recently read in Buck Leonard's autobiography (The Black Lou Gehrig). When Buck was seven, he would go to the local ballpark in Rocky Mount, North Carolina, and peep through the cracks at the Class B white team as they played. Of course he wouldn't have been allowed entrance to the park. (Who got the last laugh? Buck was inducted to the Hall of Fame alongside Josh Gibson in 1972 (only Satchell Paige beat them to the Hall, but Josh and Buck were the first two never to have played in the majors to be inducted).
The field was deserted for the entire length of my visit, except for a fairly large school of Canadian geese that I only gradually became aware of. Then, at some point, it hit me - I was in the presence of the spirits of the great men who played astounding baseball on this very field in years gone by. As soon as this concept took hold, I could not shake myself free of it, and spent the rest of my visit in awed contemplation. I wanted to talk to the spirits, but as I approached them they walked, rather determinedly, away.
Might a young Josh Gibson have once sat upon this bench, eagerly awaiting his turn to pummel a ball?
After my encounter with the spirit geese, this house struck me as being rich with significance.
Next, after checking out of my hotel, I stopped at the Heinz Center, which includes the very nice Western Pennsylvania Sport Museum. These Pittsburghers are absolutely wild about sport. As Rob Ruck explained to me, there may be no other place in the country where sport plays such a role in building community. When I was in the airport later in the day waiting for my flight, I heard groups of people from all directions simultaneously bursting into applause. Why? Because the "Stillers" had done something right on the tv, that's why.
Then it was on to Allegheny Cemetary, where such notables as Andy Warhol and Stephen Foster found their final resting place. I didn’t have time to look for them, however. This picture is from the perspective of Josh Gibson’s grave, which is buried high on a hill in the cemetary’s section 50. That’s my rented red SUV in the distance.
Here’s Josh’s grave. Despite his being listed on findagrave.com, and also despite a sign pointing the way to his stone, I still had difficulty finding it. Josh lies beneath a rather nondescript flat headstone, with the concise inscription “Legendary Baseball Player.” He is in a row with three other graves, the names of whose occupants are not familiar to me – perhaps they bear no relation to the great slugger. In my research the day before, looking through old Pittsburgh Couriers I found a 1979 article entitled “Why? Josh Gibson Worth Only a Stone.” The author, Philip Harrigan, bemoans the fact that despite his great accomplishments, Josh is buried without any pomp, in an almost hidden corner of the cemetery – which during his visit was rather unkempt to boot. Harrigan does some investigating, and comes up with a startling possibility. He finds a sales counselor for the cemetery’s Mausoleum who explains “[section] Fifty was an emergency type situation. When somebody dies and you have no funeral property, a lot is sold on behalf of the family in the emergency section….[Fifty’s] always been an emergency section for blacks.”
My experience of the grave site was somewhat different than Harrigan’s. I found it to be extremely peaceful and quite beautiful, although I agree that the humbleness of the actual marker and its seemingly unprivileged (though it was at the top of the hill) vantage seemed at odds with Josh’s historical stature. Still, having visited the near freak-show that is Jim Morrison’s grave at Pere Lachaise in Paris, I was somewhat grateful for Josh’s seclusion in Allegheny. I didn't have a chance to compare Stephen Foster's grave - and it's too bad, since Foster died in even worse financial straights than did Josh. I wonder if they've done right by the writer of "O Susannah!"
A bunch of yards closer to the main road stood the more impressive headstone of Gus Greenlee and his wife Helen. How interesting that Gus, who stole Josh away from the Homestead Grays in 1932, only to have the basher abandon him in ’36 for the warmer climate and better working conditions of Puerto Rico, should be reunited with Gibson in death. I have a soft spot in my heart for Gus, the great numbers man who was everybody’s friend and a pillar of the community (despite gaining his livelihood from illegal doings).
With a little time on my hands before my evening flight back to Maine, I called Sean Gibson to ask for the address where Josh Gibson grew up. Over on the North Side, not too far from PNC Ballpark and the Mattress Factory (an installation museum), I found the corner of N. Charles Street and Brighton Rd. Sean tells me the house isn’t there anywhere, but there was this house – I couldn’t tell if someone was living in it or not. But it had character, and I let my imagination take hold, envisioning a ten-year-old Josh, out smacking balls with sticks on the front sidewalk.
A little further up Charles Street, as Sean said I would, I found Josh Gibson Drive, near a rather new housing development. Sean told me that despite the fact most people think that’s where Josh grew up, it wasn’t quite the actual spot.
Well, sometimes Hollywood Endings are kinda satisfying, you know? This one worked for me.
|
Pittsburgh day 1 in photos
09/29/2007 11:53 PM
I came to Pittsburgh to walk in the footsteps of Josh
Gibson, the hero of my opera, and to meet with a
scholar and a great grandson. It's been an
overwhelmingly rich and productive trip so far, and I
wish I had the brain cells and energy to formulate
one of those really juicy blog posts I sometimes
write. But if a picture's worth a thousand
words...
Started my day with a terrific meeting with the preeminent scholar of black sports in Pittsburgh (and one of the major Negro League scholars anywhere), Rob Ruck. Rob's book Sandlot Seasons has been hugely important in developing the plot of the Summer King. He was kind enough to look through some of my materials, give me historical feedback, and even help me work through several thorny plot points. But I forgot to get a photo with him! So here's the lovely inscription he gave me.
At Rob's advice, I then moved on to the nearby Carnegie Library, where I combed through folders on the Pittsburgh Crawfords, the Homestead Grays and Josh Gibson. But before long I switched over to the microfilm machine and searched through some old issues of the Pittsburgh Courier, making some photocopies along the way. How to describe the thrill of seeing all these wonderful players and teams and personalities coming to life, Saturday after Saturday, jumping off the screen with all their vividness and sudden incontrovertible realness. I could have spent all weekend.
Struggling with my map, I then intended to move on to the Heinz Historical Center, where I was hoping to investigate the Western Pennsylvania Sport Museum. I was running low on time, though, and couldn't resist the draw of the Hill District, where the Crawfords used to play, and the Crawford Grille was the center of the universe. You can imagine I almost drove off the road when I saw this marker. I parked the car and ran over to check out Ammons Field (which has officially been renamed "Josh Gibson Field," although I didn't know it then.)
Can you stand it? The field's been moved, reconfigured, and will soon be renovated all over again, thanks to the Pittsburgh Pirates and the Josh Gibson Foundation. But on this patch of earth, Josh Gibson first played ball with the Pittsburgh Crawfords in 1929. This is the air he gazed upon from his catcher's crouch. There wasn't a soul in sight as I stood in front of the backstop, listening for ghosts and taking in the spectacular sunny afternoon.
After going to the Homestead Grays for a few years, Josh came back to the now-professionalized Pittsburgh Crawfords in 1932. The team was owned by famed numbers man Gus Greenlee, who built the nation's finest black-owned stadium at the top of the Hill on Bedford Avenue. I went looking for the place (the stadium was torn down in 1938, and soon after replaced by projects). A man on a stoop saw me with my camera and pointedly asked me what I was doing. I explained about my pilgrimage, and I entered into some nice conversation. But he let me know "I'm not prejudiced, but you are a white guy, and up here that's unusual. People might get the wrong idea if you point that camera around without explaining what you're doing." Duly chastened, I climbed a little further up the hill to this patch of grass, right next to the projects, where several people told me Greenlee Field once stood. Some of the finest baseball ever played happened under this sky, atop this soil.
This is the site, but I don't think the actual building, of Gus Greenlee's second version of the Crawford Grille. This is not the location of scene 4 of my opera. That happens in the original Crawford Grille, which is now covered over by the Mellon Center, a great arena that I gather more or less wrecked the Lower Hill District. Still, on this quiet, almost deserted corner, much great jazz and baseball chatter must certainly have taken place. The building's for sale now, and I wish someone would bring it - and the too-quiet surrounding neighborhood - back to life.
The numbers game lives on! But I think this version is legal (Gus Greenlee's wasn't).
In the afternoon I was the guest of Sean Gibson - Josh's great grandson and the director of the Josh Gibson Foundation - at a tailgate party put on by the Amen Corner, a venerable Pittsburgh organization (so-named, by the way, not due to any religious affiliation (this is not Rick Santorum's Amen Corner) but because they used to, and probably still do, end all their meetings by saying "Amen.") What an incredibly gracious and generous host Sean was - and what an absolute thrill it was for me to talk with him about his work and his family, and a little of my work too. This party took place in a parking field outside of PNC Ballpark, where a Pirates game would soon be played.
Here's Sean signing a shirt won by a very lucky raffle winner. It's a replica of Josh Gibson's shirt from Vera Cruz Mexico, where he played the entire 1941 season. This is now available in a collaborative production by Nike and the Josh Gibson Foundation. It's not just because a scene from the opera happens in Vera Cruz that I absolutely MUST have this jersey! Wait until you see it on me.
Here I am with the two illustrious Gibsons at the entrance to PNC Park, where they've mounted a very nice tribute to the Negro Leagues. Thanks to Sean I even got a private screening of an informative film (co-created by the same Rob Ruck who appeared early in this photo essay about Gus Geenlee and Cum Posey and their baseball legacies in Pittsburgh.
Okay people, how well do you know me? One of these players is a major character in my opera. One is my cat. And one is none of the above. Submit your guesses via the comments field and win yourself an undisclosed prize.
Oh my word I'm exhausted after all that! Good thing that, thanks to Priceline, I get to come home to one of the best hotels in town, right in the center of Downtown. Tomorrow I go to Homestead, the Heinz Center, and Josh's grave. Oh, and then Maine. Nuff said for now.
Continue to Pittsburgh trip part 2.
Started my day with a terrific meeting with the preeminent scholar of black sports in Pittsburgh (and one of the major Negro League scholars anywhere), Rob Ruck. Rob's book Sandlot Seasons has been hugely important in developing the plot of the Summer King. He was kind enough to look through some of my materials, give me historical feedback, and even help me work through several thorny plot points. But I forgot to get a photo with him! So here's the lovely inscription he gave me.
At Rob's advice, I then moved on to the nearby Carnegie Library, where I combed through folders on the Pittsburgh Crawfords, the Homestead Grays and Josh Gibson. But before long I switched over to the microfilm machine and searched through some old issues of the Pittsburgh Courier, making some photocopies along the way. How to describe the thrill of seeing all these wonderful players and teams and personalities coming to life, Saturday after Saturday, jumping off the screen with all their vividness and sudden incontrovertible realness. I could have spent all weekend.
Struggling with my map, I then intended to move on to the Heinz Historical Center, where I was hoping to investigate the Western Pennsylvania Sport Museum. I was running low on time, though, and couldn't resist the draw of the Hill District, where the Crawfords used to play, and the Crawford Grille was the center of the universe. You can imagine I almost drove off the road when I saw this marker. I parked the car and ran over to check out Ammons Field (which has officially been renamed "Josh Gibson Field," although I didn't know it then.)
Can you stand it? The field's been moved, reconfigured, and will soon be renovated all over again, thanks to the Pittsburgh Pirates and the Josh Gibson Foundation. But on this patch of earth, Josh Gibson first played ball with the Pittsburgh Crawfords in 1929. This is the air he gazed upon from his catcher's crouch. There wasn't a soul in sight as I stood in front of the backstop, listening for ghosts and taking in the spectacular sunny afternoon.
After going to the Homestead Grays for a few years, Josh came back to the now-professionalized Pittsburgh Crawfords in 1932. The team was owned by famed numbers man Gus Greenlee, who built the nation's finest black-owned stadium at the top of the Hill on Bedford Avenue. I went looking for the place (the stadium was torn down in 1938, and soon after replaced by projects). A man on a stoop saw me with my camera and pointedly asked me what I was doing. I explained about my pilgrimage, and I entered into some nice conversation. But he let me know "I'm not prejudiced, but you are a white guy, and up here that's unusual. People might get the wrong idea if you point that camera around without explaining what you're doing." Duly chastened, I climbed a little further up the hill to this patch of grass, right next to the projects, where several people told me Greenlee Field once stood. Some of the finest baseball ever played happened under this sky, atop this soil.
This is the site, but I don't think the actual building, of Gus Greenlee's second version of the Crawford Grille. This is not the location of scene 4 of my opera. That happens in the original Crawford Grille, which is now covered over by the Mellon Center, a great arena that I gather more or less wrecked the Lower Hill District. Still, on this quiet, almost deserted corner, much great jazz and baseball chatter must certainly have taken place. The building's for sale now, and I wish someone would bring it - and the too-quiet surrounding neighborhood - back to life.
The numbers game lives on! But I think this version is legal (Gus Greenlee's wasn't).
In the afternoon I was the guest of Sean Gibson - Josh's great grandson and the director of the Josh Gibson Foundation - at a tailgate party put on by the Amen Corner, a venerable Pittsburgh organization (so-named, by the way, not due to any religious affiliation (this is not Rick Santorum's Amen Corner) but because they used to, and probably still do, end all their meetings by saying "Amen.") What an incredibly gracious and generous host Sean was - and what an absolute thrill it was for me to talk with him about his work and his family, and a little of my work too. This party took place in a parking field outside of PNC Ballpark, where a Pirates game would soon be played.
Here's Sean signing a shirt won by a very lucky raffle winner. It's a replica of Josh Gibson's shirt from Vera Cruz Mexico, where he played the entire 1941 season. This is now available in a collaborative production by Nike and the Josh Gibson Foundation. It's not just because a scene from the opera happens in Vera Cruz that I absolutely MUST have this jersey! Wait until you see it on me.
Here I am with the two illustrious Gibsons at the entrance to PNC Park, where they've mounted a very nice tribute to the Negro Leagues. Thanks to Sean I even got a private screening of an informative film (co-created by the same Rob Ruck who appeared early in this photo essay about Gus Geenlee and Cum Posey and their baseball legacies in Pittsburgh.
Okay people, how well do you know me? One of these players is a major character in my opera. One is my cat. And one is none of the above. Submit your guesses via the comments field and win yourself an undisclosed prize.
Oh my word I'm exhausted after all that! Good thing that, thanks to Priceline, I get to come home to one of the best hotels in town, right in the center of Downtown. Tomorrow I go to Homestead, the Heinz Center, and Josh's grave. Oh, and then Maine. Nuff said for now.
Continue to Pittsburgh trip part 2.
Actually...Judy Johnson!
08/09/2007 11:58 AM
The important bit of news I need to convey here is this. Luna Lovegood turned about to be a boy, so we changed his name to Judy Johnson. Yes, you read that right. Go google up Judy Johnson - a great historical figure - and maybe you'll know where we're coming from. Or maybe you'll still think we're nuts. He's a sweetheart and a holy terror. We love him and fear him, and we almost named him Voldemort.
And now friends, Serbia awaits. (I may never get to type THAT again!).
Check in - I'll write. Oh get that scowl off yer pug...
Back in the saddle
02/07/2007 09:38 PM
Anyway, it’s time to sign off and check out from vortex command central here. But always rest assured – I will be back. Why, my one-year blog-a-versary lies just around the bend! So why not drop me a comment or two and remind me that someone back on earth actually receives these blips and blops.
Maybe we all just go to a yellow house
01/12/2007 12:41 AM
Today we gathered to say goodbye to Julian Norwalk. I hope he gets to sleep in from now on.
I hope too that you'll listen to my band perform live on the radio tomorrow night (Friday 1-12, 7:30-8:30pm - live streaming and on 90.9 in the Portland area)!
More Laurel Canyon
11/05/2006 09:29 PM
Pilgrimage
11/04/2006 04:16 PM
The country of Los Angeles
11/03/2006 06:06 PM
Ostia by day and by night
09/06/2006 11:16 PM

It looks
better than it was. I mean, actually, it was
pretty okay. This was a portion, or rather two
portions, but two SMALL portions, of the journey
home. We sat on the American Airlines plane for
4 hours after an aborted attempt at takeoff.
Then they canceled the flight, and we waited for
two more hours at the baggage claim, and then
for yet another hour outside in the hot
Fiumicino sun for the busses. The buses took us
out of the airport, and to the town of Ostia,
which I think nobody realized was a seaside
resort with astounding ruins to boot (we passed
them on the bus). So at 7 and at 10 I swam in
the sea, and there was gelato, and I hooked up
with a group of Americans heading back from
Positano and we went out dancing and drinking.
Back to the hotel at 2, and up for the next
round of buses and plains at 5am. And then the
endless trek to Portland continued, those little
glimmers of sun and moonlight fading into
memory. And from the vantage of the first day of
classes, which is now similarly fading, I have
to wonder if it was all just a woozy jetlagged
dream.
Jetlag
09/05/2006 09:16 PM
Sorry for silence
09/05/2006 09:06 AM
Somehow my password got messed up and I wasn't able
to post to the blog. This prompted me to stop
blogging entirely for a little while, but you can go
back and review some of the final posts I made in
Italy and the adventure of my lost luggage. My flight
home was an even bigger adventure (44 hours), but
I'll have to go into that a little later.
È Arrivata!
09/01/2006 11:17 AM
Train to Malpensa
09/01/2006 09:03 AM
Milano
08/31/2006 07:00 PM
A Train With a View
08/30/2006 09:54 AM
Oh I don't know...sure we wandered around with our Rough Guide and our tattered map... but we weren't all that, and neither was Firenze. Since it was a second visit, we skipped the Duomo, Accademia, and, gasp of gasps, Uffizi. We did hit the Pitti, though, after finding that Santa Maria del Carmine was closed on Tuesdays. It's a pretty overwhelming spot, filled with Titians and Donatellis and even some more modern Tuscan Italian painters. But most interesting and inspiring for me was the room which held the most boring exhibit: the Sale Bianco. Although there was absolutely no mention of it anywhere in the museum, this is where, in 1600, Jacopo Peri's opera Euridice was given a performance for 200 (of the many more more) guests at Maria de' Medici and Henry IV's lavish wedding. Important why? Because it's the first surviving opera to have been performed (Peri's Dafne, from 1597, is lost to us). Euridice's a boring opera, and Monteverdi blew it out of the water with his Orfeo only 7 years later... but still, there was a lot of vibe to be absorbed by this eager young opera composer. So I stood in the room and soaked it up. I took a picture of the vibe, but can't find it - so you'll have to make due with this one that Alex snapped of me in front of the palazzo, feeling the spirit.Florence is scraping the bottom of the tourist barrel. And the stolid presence of these masses with their polyglot guides in the Uffizi, in the Pitti, around the Baptistery doors and the Medici Tombs, in the cell of Savonarola and the courtyard of Palazzo Vecchio is another of the 'disagreeables', as the Victorians used to call them, that have made Florence intolerable and, more than that, inexplicable to the kind of person for whom it was formely a passion. 'How can you stand it?'
The gelato report so far: The first cone was definitely the best. Went back to dei Neri and had A-C-L (a sorbet of orange, carrot and lemon), chocolate crocant (i.e. crunchy), and licorice (the best of the troika - intense and lasting), while alex had the tried and true combo of straciatella (chocolate chip) and nutella. Last night we hit Caffè i Ricci, on the Piazza Santa Spirito, where I had chocolate mousse (I had asked for coffee mousse) and a flavor that I've already forgotten. This stuff was serviceable but nothing more (you could find and overpay for its like in New York). Today we hit Vivoli, the most famous gelato place in town. As is always the case with these famous joints, everyone says it's gone way downhill. Depends who you ask. I had Zabaione, Mela Verte (green apple - but it tasted suspiciously like lemon), and chocolate and coffee (1 flavor) and it was okay - nothing close to dreamlike. Alex, however, raptured on her combo of gianduia and pear caramel sorbet. The help was as surly and the prices as inflated as advertised. Here's a little snapshot of today's purchases:
A day in Florence
08/28/2006 06:15 PM

Made it to Firenze. It took
28 hours, door to door, from Portland, Maine.
And, from the vantage of having an all out great
time now, eating well, seeing the sights and
soaking up the relaxed vibe of this venerable
and stunning city, I can tell you that it (the
travel part) was profoundly lame to its core. My
suitcase is gone. Didn't show up in Rome, and
the number they gave me to call, after I filled
out my claim form, seems not actually to exist.
I once managed to get one woman on the phone,
who got as far as "I'm sorry sir, it doesn't
seem..." before she got cut off. All of my best
clothing, much of it new, a pair of shoes, all
of my books for the coming semester are inside.
All our toiletries. Half a custom made suit from
India. Ah well, you win some you lose some. The
pain began to melt away, though, as soon as we
began to walk the streets here. Took a bus tour
of the town last night, organized by the school
for which Alex is working. Today we got a
special tour of the Stibbert Museum, an amazing
collection of armor and other oddities.We met
Lisa Friend, flautist and opera expert/organizer
(and Stibbert tour guide) for a late lunch in
the beautiful town of Fiesole, which gazes out
at Florence from on high. (The picture on the
left gives only the slightest taste). Then we
hit a department store and I bought stuff like
shirts, pants, boxer shorts, toiletries. A nice
excuse to go shopping. Too bad Italians don't
make shoes in my size (well, unless you get them
custom made...we're not here long enough). Alex
then retired home for a brief rest and clean up
while I sought out my first gelato. Went to the
Gelaterria dei Neri, and it was sublime:
chocolate with pistachios and hot peppers;
ricotta with fig; amaretto with peach. The
picture on the right does almost no justice to
this transportive mixture. Then, back out with
LIsa Friend to her beautiful house near Chianti,
in the mountains, amongst fig trees and
vinyards. We ate some grapes, had wonderful
cheese with fig jam, drank local wine, and then
headed out for dinner. Just got home and I'm
ready for bed. Might find a wi-fi from which to
send these funny little updates tomorrow.
In Flight Entertainment
08/27/2006 06:06 AM
Flying over the Italian alps…I woke up almost
24 hours ago, and finally a hint that it might all
have been worth it. The clouds hover like little
tufts of cotton, casting shadows on the peaks that
lie scant meters below. In the valley, congested
red-thatched houses, here and there a body of still,
blue water. And just like that the mountains yield to
flatland…geometric shapes in every shade of
green and brown. The Italian August sun casts a
sultry, seductive haze across the endless swathes,
squares and squares and rectangles. And then, trees!
Sprinkled in like kale amidst the meat. The map shows
us above Genoa. Or Turin? Where are we
actually…hard to say. But 285 miles to our
destination. That’s half an hour, right? Oh
there’s Athens and Istanbul and Kiev and Moscow
and Warsaw and Helsinki and London and Madrid and
Barcelona. The world is a small place, it turns out.
And somewhere in the sky, or maybe just touching
down, is sleepy Alex, nervous about her Italian,
searching out her bags and my flight. If she
doesn’t find me when I pop out of the gate,
we’re to meet by the train, where there’s
a little café that injects their freshly made
cornettos with chocolate or jam, your choice. I have
had more breakfasts than I care to recount. One after
the other. Breakfast breakfast breakfast. No matter
where I go, it seems eternal morning. My computer
clock tells me it is 5:55AM. But that’s a world
behind me, and I’m really careening on towards
noon. I have the Daily Mail and the Observer, and a
whole row of seats to myself. Pisa! Florence! Dear
Florence, I’ll see you again shortly…
too bad travel is no longer the shortest distance
between two points. And now the bright blue sea. The
Mediterranean – some coastal town or city even.
The water is cyan with strange beige ripples. The
city, maroon. The captain announces we picked up a
great tailwind so we're only a little late. We'll be
in at 12:30. That gives 2.5 hours to find A, get
bags, get to Rome Termini, and find our train to
Firenze. I am ever hopeful.
Heaven and Hell at Heathrow
08/27/2006 03:49 AM

Now I'm on
the plane - my third of the day. Have been
traveling for 18.5 hours, and I've still got
three legs left (flight to Rome, train to the
city, train to Florence - but the last two
legs w/ Alex, assuming we can find each
other). I'm telling you, they seriously better
have some good gelato waiting for me. I'm
talking epic.
This Flight Tonight
08/26/2006 07:46 PM
Greetings from Logan
08/26/2006 01:25 PM
And I'm Off
08/26/2006 12:35 AM
Off to Cooperstown
08/18/2006 11:10 PM
In transit
07/29/2006 06:12 PM
Niagara
06/25/2006 10:39 PM
Only this photo from
yesterday, which I love. Taken at the Laurel
Canyon Country Store, where everyone is
beautiful and the frozen drinks sublime.

Don't those
words just ring magically in your ears? We're
leaving at the crack of dawn to drive for six
hours to the land of opera and baseball (and
believe you me, those things go together well!)
Will certainly report back, but it might be a
coupla days.