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February 27 - March 12th 2005
Baskets
Around the World: Elemental Techniques-Artistic Vision displays
historic, contemporary, utilitarian, and fanciful baskets from the
collection of renowned artist, teacher, and curator Carol Grant Hart.
International basketry artworks are also on loan from individual
artists and browngrotta arts, known for its representation of fiber
artists from the United States and abroad.
The exhibit is organized into four
basic basket weaves: plaiting, twining, wicker, and coiling. The first
three methods interlace wefts (horizontal elements) and warps (vertical
elements). Coiling is more like sewing, beginning with a rod, cord, or
bundle of material that wraps around itself to form a continuous
spiral. The baskets here display a wide range of materials, with each
basic weave branching into many variations. Motivations differ:
economic survival, continuing traditions, and creative expression
co-exist, sometimes in one work.
The variety of baskets is
extraordinary.
Over 150 baskets on view from the Hart collection have
been gathered from around the world: Alaska, China, Southeast Asia, the
Philippines, Pacific Islands, North and South America, the British
Isles, Western and Eastern Europe, the Middle East, Africa, and India.
A selection of baskets continuing Maine traditions includes exquisite
pieces by Teresa Hoffman and others from the Maine Indian Basket
Alliance and by the superb craftsman Stephan Zeh.
Works in the realm of contemporary
art are represented by Maine artist Lissa Hunter and others across the
nation: Jonathan Kline, Nancy Bess, Judy Mulford, Dorothy Gill Barnes,
Karyl Sisson, and Gyöngy Laky. International artists include Anda
Klancic, Slovenia; Jiro Yonezawa and Norie Hatakeyama, Japan; Dawn
MacNutt, Canada; and Markku Kosonen, Finland. With all these pieces
juxtaposed in a gallery setting, their commonalities and differences
spark a dialog of intrigue and delight. Baskets Around World
celebrates the ingenuity and creativity in basketry, a common heritage
and continual source of inspiration.
-Carolyn Eyler, Director of Exhibitions and Programs
Thanks to Carol Grant Hart for
curating baskets from her collection, her New England colleagues, and
our travels in Maine; Tom Grotta for supplying works by some of the
most significant basketry artists working today; helpful advice from
Curator Jane Milosch, Renwick Gallery, Smithsonian Institution; and the
generous design contribution from the Office of Marketing and Brand
Management.
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